Jamie T’s second album in two years is a punk, rap, pop and hardcore tour de force
The Good The Bad & The Queen: Roundhouse, London, Thursday October 26
Albarn’s new, un-named outfit showcases album in full – and we like it. Take that haters!
As Damon, ex-Verve guitarist Simon Tong and the aforementioned legends take to the stage in black suits and top hats, Albarn announces that they’re going to play the whole album in order and kicks off with ‘History Song’ – its slow-burning beauty setting the tone. It’s a shame the lights remain on all night (thanks to the fact it’s being filmed) as album ‘The Good, The Bad And The Queen’ provides a late-night listen – the mood ranging from tender melancholy (‘Northern Whale’, about the beast marooned in the Thames earlier this year) to stoned small-hours paranoia (‘Kingdom Of Doom’). Simonon’s bass is high in the mix, and he still throws mesmerising Clash shapes, but Allen and Simon Tong don’t impose anything overly indulgent or fancy on these delicate songs. In fact, it seems that they’re not virtuoso enough for Damon, who orders a couple of tracks to be started again because they’ve seemingly messed them up. His obvious displeasure (“Focus! Focus!”) rather spoils the mellow atmosphere – and gives more ammunition to those who think he’s too uptight to be genuinely great – but between strops and audience murmurings there was enough to suggest that in ‘The Good, The Bad And The Queen’ Damon has defied the haters and pulled it off again.
Character studies and ready melodies abound in the latest record by the Oxford quartet
A battle-like record where fear and dread rule
Another gripping Pedro Almodóvar mystery, full of vibrant visuals and emotional revelations
The Californian succeeds, once again, in exposing the ugliness of mankind. It’ll get under your skin