Jamie T’s second album in two years is a punk, rap, pop and hardcore tour de force
The Kills : London Tufnell Park Boston Arms
But, as VV and the man we are encouraged to call Hotel (and who some may know as Jamie from Scarfo) face each other off in a battle of strategic smoking, disciplined sweating and awkward poses, it can be tricky to concentrate on the music. Lord, The Kills are trying hard. Everything looks self-conscious, from the way Hotel has hung his Warhol wraparounds off the front of his anorak, to how VV stiffly shakes her hair at him. The point, it seems, is to be erotically charged and sleazy. But there'd be more of a frisson if she tried the same moves on their drum machine.
It's harsh to criticise a band for having ideas, and The Kills evidently admire the arch stylings and mysterious electricities of The White Stripes. At the moment, though, the concept weighs too heavily on their shoulders. "Fried my little brains", snarls VV, nervously, and it's difficult to think of a band who strive so desperately to appear deviant and yet look so uptight, even while the music they play is so genuinely compelling.
Character studies and ready melodies abound in the latest record by the Oxford quartet
A battle-like record where fear and dread rule
Another gripping Pedro Almodóvar mystery, full of vibrant visuals and emotional revelations
The Californian succeeds, once again, in exposing the ugliness of mankind. It’ll get under your skin