Ben Stiller reprises his role as a former model in a throwaway but amusing sequel
The Hentchmen with Jack White, Hentch-Forth.Five
Hidden classics unearth yet more strings to Jack White’s bow
That this collection has remained largely hidden for so long is remarkable. Because at worst, with White just on bass – that’s right Stripes fans, Jack on bass! – it’s primal, three-chord retro rock. (And if you think The White Stripes are backward referencing, in The Hentchmen’s world, rock’n’roll ended in 1962.) When White cuts through on vocals and guitar, it’s incredible. At times, it’s like discovering The Beatles playing psych rock. The version of old standard ‘Some Other Guy’, in which White chimes in with his falsetto howl, is the sound you wish The Raconteurs would make. In other places – the freak-out of ‘Little No More’, the distorted bounce of ‘Carry Me Home’ – this album rocks like The Horrors’ godfathers The Sonics. And if all that wasn’t enough, on the cover of ’60s blues rockers Yardbirds’ ‘Psycho Daisies’ you can hear Jack stretching his legs, discovering the surging call-and-answer guitar sound he’d later master.
This is a genuine, honest-to-God lost gem. Without question, you have to hear it.
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Zachary Cole Smith has overcome a multitude of problems to make this intensely powerful album
Just as ridiculous as the 1991 original, but in all the wrong ways
The 'Oscar-bait' drama fails to fully translate the emotional weight from page to screen