Conceptually flaccid and consequently useless...

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The Rapture : House Of Jealous Lovers

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The Rapture : House Of Jealous Lovers

Everything about this feverishly eclectic New York trio reeks of a gum-gnashing desperation to be perceived as slightly experimental. Thus, in their quest for avant-garde acceptance, they give us toy cowbells, shouty vocals, a battered kitchen sink, bilious guitars, a shrieking black hole where a chorus should be and a mouse tap-dancing in a deserted warehouse, like [a]ARE Weapons[/a] with their beards stuck in John Lydon’s food processor.

Conceptually flaccid and consequently useless, as the actress said to the drunken PiL fan.

Stephen Dalton