They’re still sombre, but the Manchester pop duo flirt with optimism on a fist-pumping third album
Sean Nicholas Savage - 'Other Life'
Prolific Montreal scenester doesn't always hit the heights
People only bother to make covers albums of your stuff if you're all about songcraft, and that's where Savage is often dazzling. Had you taken something like 'We Used To Live In A Dream' and offered it to '80s pop star Tiffany, it almost certainly would've been one of the bigger minor hits of 1987. 'She Looks Like You' sounds like Cyndi Lauper's 'True Colors' in that it captures that same tone of wounded defiance in a way that few have since. 'It's Real' pulls in the arty camp drama of Marc Almond.
Between the highs, 'Other Life' is blighted by two afflictions. The first is pace. Whereas the acoustic guitars on 2011's 'Flamingo' gave it a sense of motion that didn't allow you to question its kitsch, 'Other Life' can get lost in its own tropicalia keyboard wash. The second is Savage's voice: one of recent history's more eccentric deliveries, a reedy tone somewhere between Color Me Badd and Christopher Owens. Where the songs are slow, the fruity Bontempi keyboards are gruelling and the singing comes on like Jimmy Somerville weeping over a dead pet in a marbled mausoleum. But get past the Bronski Beat animal trauma vibes and Savage's other life is rich and full.
The Coventry trio's fourth album is sometimes ham-fisted, but always heartfelt
New releases from The Ordinary Boys, Demob Happy and more...
An ADD sonic patchwork informs the Sheffield group's best album to date
Colorado songwriter mixes obscenity and emotional heft with huge pop melodies