Ben Stiller reprises his role as a former model in a throwaway but amusing sequel
Now That’s What We Call Music
‘Ticket’. Ikara Colt, whose ‘At The Lodge’ remains something of a high watermark for post-Fall gripe’n’skronk. And – yes! – former John Peel fave ‘Local Man Ruins Everything’, a bittersweet Scots toast by William Campbell and Kevin MacNeil.
It’s not quite the superhero film revolution we were promised, but it sure as hell is entertaining
Zachary Cole Smith has overcome a multitude of problems to make this intensely powerful album
Just as ridiculous as the 1991 original, but in all the wrong ways
The 'Oscar-bait' drama fails to fully translate the emotional weight from page to screen