Showing reviews 1–5 of 5

We’ve had his state of the nation addresses, both pre-millennial and post-. We’ve had his fantasies of cartoon musicians on islands made of trash. We’ve had his operatic renderings of…

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With the clock running on the Blur reunion and Gorillaz on indefinite hiatus due to ‘crayonist differences’, Damon Albarn’s first solo album seems like a chance to truly glimpse one…

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During the intermission of [a]Damon Albarn[/a]’s ‘English opera’, debuted tonight as the centerpiece of this year’s Manchester International Festival, [a]NME[/a] overhears a couple of the city’s assembled criterati on the…

Now in its third year (and for the first time taking place in Liverpool as well as London), the Beeb’s annual batch of shows are based around the idea of…

No-one, you have to conclude, hated Britpop more than Damon Albarn. Ever since he bid English whimsy a two-fingered farewell with 1995’s ‘The Great Escape’, Albarn’s muse has followed such…

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