Jordan Oloman

‘Grand Theft Auto: The Trilogy’ review: some nostalgic fun in a broken package

Ah shit, here we go again...

‘Elden Ring’ closed network test impressions: FromSoftware in fine form

Game of Souls

‘Riders Republic’ review: extreme sports bliss tempered by sickly set dressing

SSX Cringey

‘Stranger of Paradise: Final Fantasy Origin’ preview: The ‘Shadow the Hedgehog’ of soulslikes could be a smash hit

You’re going to want to kill chaos

‘Super Monkey Ball Banana Mania’ review: a rollicking revival for newcomers and fans

Why Ai Man

‘Death Stranding Directors Cut’ Review: The best way to play a masterpiece

Kojima’s divisive delivery simulator feels fitter, happier and more productive on PS5

‘Lost Judgment’ review: a dashing detective game that improves on the original

Hard-boiled to perfection

‘Deathloop’ review: Arkane’s magnificent murder puzzle is the studio’s most ambitious game

Breaking the habit

Peter McConnell takes us through the process of composing the mental worlds of ‘Psychonauts 2’

The LucasArts legend talks about his history with Double Fine, scoring a platformer and the influence of the Grateful Dead.

‘Silent Hill 4: The Room’ is deeply underrated and easily accessible

Why did nobody tell me Silent Hill 4 is the scariest one?

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