Think you know Poppy, the robo-pop sensation and maker of mesmerising YouTube videos, all in the guise of a sentient Artifical Intelligence? So did NME Deputy Editor Dan Stubbs when he went to meet the LA-based star at a London fetish dungeon, only to find Poppy is more human than we might have thought. Breaking character for the first time, Poppy reveals more than ever before about her work, her life and why she wants to bring down the internet.
Through death, depression and diabetes Haim just keep getting stronger. With that difficult second album out the way – and an even more difficult couple of years personally behind them – the Cali sisters are back with a load of new tunes, a ripped-up rule book and a determination to do things their way. Charlotte Gunn meets the band in LA and finds that if you’re going to throw Haim lemons, you better get ready for a whole lot of lemonade.
Some years ago, Beabadoobee was so shy she had friends perform songs on her behalf – and was the unwitting subject of a WhatsApp group of Mean Girls at school. Now, at 19, she’s mates with Matty Healy of The 1975, she’s internet pals with her beloved ‘90s heroes and she’s become an icon for a generation of kids crying out for a new breed of guitar hero. Following the release of her ace ‘Space Cadet’ EP, Thomas Smith meets Bea Kristi in London to talk about her no-fucks-given approach to music – and why she’s having a ball right now.
He's gobby, he's hyperactive, he's outspoken, he's fearless, he feels sexy in a dress, and he's a new breed of rock star. Yungblud – aka Dominic Harrison – reckons he and his growing cult of fans are in this together. On the eve of his biggest release to date, Thomas Smith meets the Doncaster lad done good in New York City for an unfiltered chat about music, life, and getting smashed with Lewis Capaldi.
As Foals prepare to release their second album of 2019 with the bombastic and visceral ‘Everything Not Saved Will Be Lost Part 2’, Andrew Trendell meets the band in a fighting spirit to look back on a “decade of regression” and what may lay in store for a generation wading through the aftermath.
After a trio of fabulously rude, giddy records that were both sexually explicit and mordantly funny, Swedish pop powerhouse Tove Lo – beloved of Lorde, Courtney Love and Kylie Minogue – took some time out. “I was sick of myself,” she tells Gary Ryan as she headlines Girls To The Front, the NME gig series that celebrates badass women and non-binary artists. She reconnected with herself on upbeat new album ‘Sunshine Kitty’, which explores a new sense of peace. As she puts it: “It feels pretty cool to be comfortable in my own skin.”
What happens when you take 11 unfamiliar musicians, plonk them in the middle of the Californian desert and ask them, simply, to create? 16 years since Josh Homme last spun his rock'n'Rolodex for his influential collaborations album, he's at it again, forming a brand new bizarro supergroup for 'Desert Sessions Vol. 11/12'. NME Editor Charlotte Gunn heads to LA to quiz the hip-swinging puppet-master about what you get when you cross a Billy Gibbons with a Jake Shears.
Kane Robinson is a pioneer. As Kano, alongside the likes of Dizzee Rascal and Wiley, he became a key voice in the first wave of grime. Over a decade later, he's remained in the centre of the cultural zeitgeist, thanks to his stunning sixth album 'Hoodies All Summer' and a starring role in Netflix's acclaimed revival of Top Boy. Will Lavin meets the quintessential London rapper outside of his natural habitat, in Manchester, where he finds an assured talent who shrugs off his own accolades and admits, "I don't even like acting!"
Iggy Pop is not exactly who you think he is. Yes, he’s the punk powerhouse behind some of the greatest live performances in rock ‘n’ roll history. And yes, he's the man behind an embarrassment of killer tracks – among them ‘The Passenger’, ‘Lust For Life’, ‘I Wanna Be Your Dog’, ‘Nightclubbing’, ‘Real Wild Child’ – that set a manifesto for rock ‘n’ roll excess. But, as NME Editor Charlotte Gunn finds when she meets with him in London, he’s also a kind, contemplative and curious soul who likes pink, fluffy clouds, collaborating with young artists and “rhythm tracks that go BOING BOING GGRRRRRRRR”. As he releases his eighteenth solo album ‘Free’, Pop ponders whether – after five decades at rock’s coalface – he’s finally won his “million in prizes”.
When she blew up in 2012, Lana Del Rey was an untouchable, unknowable character whose preoccupations with heartbreak, America and old stuff cast her as a tragic Hollywood icon in the mould of, say, Marilyn Monroe. But slowly, she’s opened up and let people in, and now, with brand new sixth album ‘Norman Fucking Rockwell’ raising eyebrows and blowing minds, she talks to Rhian Daly about America's failings, forest fires, Donald Trump – and reasons to be cheerful.
Five years ago, Sheer Mag were the buzziest DIY band on the planet. Now, they’re a full-throttle independent rock ‘n’ roll machine who tackle domestic abuse, prejudice, death and anxiety on ferocious new album ‘A Distant Call’. Singer Tina Halladay tells Ben Homewood why the world needs the Philadelphians...
This weekend, THE 1975 will fulfil a lifelong ambition and headline Reading & Leeds festivals for the first time, and to mark the occasion, the musical changelings have released a searing, politically-charged punk track named 'People'. With the gears of 2020 album 'Notes On A Conditional Form' already turning, frontman MATTY HEALY tells Dan Stubbs about the band's aims to save the world, freak out the squares and tear Reading & Leeds a new one. All he needs to do in the meantime is resist the urge to perform his Dubai gig with the words 'GOD LOVES FAGS' scrawled on his chest. What could possibly go wrong?
hey’re a boy band, but not as you know it. Texan titans Brockhampton – all 13 of them – are redefining the term with their patchwork songs of booming hip-hop and experimental pop. Yet their last, tense album ‘Iridescence’ spoke to a difficult patch from which they’re now “healing”. For the upcoming ‘Ginger’, their fifth album, the collective turned to an unlikely muse in one Shia LaBeouf, who has become their mentor. Jordan Bassett meets the lads (and six excitable rescue puppies) in their adopted home of Los Angeles, where he finds a band rejuvenated.
Twenty years ago, Slipknot were considered a menace to society. Today, they release a new album – their sixth – that proves the world at large has caught up to the sound of their rage. Fuelled by loss, depression, desperate times, demagogues and demons, 'We Are Not Your Kind' is the band's greatest – and angriest – album yet. As the band tours its Knotfest roadshow around the States, Dan Stubbs talks to founder member Shawn 'Clown' Crahan and guitarist Jim Root about masks, metal and the making of a masterpiece.
Along with Billie Eilish, King Princess, Cuco and more, Clairo is a young, self-made artist who's redefining the pop landscape in 2019, creating lo-fi, leftfield songs that paint her as the big sister to her legions of young fans. Rhian Daly catches up with her in Detroit, Michigan to hear how teenage viral success, a crush on director Sofia Coppola and the support of her fellow Z-pack artists helped her embrace fame.
The Good, The Bad & The Queen’s latest album ‘Merrie Land’ took the temperature of the country and was a melancholic ode to a Britain scarred by toxic politics and divisive ideologies. Nine months later, tying in with the anniversaries of ‘Parklife’ and ‘London Calling’, Jordan Bassett meets Damon Albarn and The Clash’s Paul Simonon to hear what’s changed