After being dropped by a major, the US trio bounced back by signing with Phoebe Bridgers’ label for their self-titled third record. With support dates with Taylor Swift beckoning, NME heads down to the tour that dreams of a “joyful queer revolution”
Following a breakout year, the Yorkshire-born musician and DJ is now leading the charge for a new generation of ravers. NME pulls up a pew and raises a toast to the rising star in her east London local
Light-up bras, champagne popping and heart-racing dance moves: the Aussie band’s gloriously fun live show makes for an unmissable night out. NME heads backstage on the year’s wildest tour
Following the success of third album ‘Jubilee’, as well as her stunning, soon-to-be-adapted memoir Crying in H Mart, Michelle Zauner is currently operating at the peak of her powers
The pop innovator’s blood-splattered, chart-topping fifth album ‘Crash’ embraced the dark arts of the music industry. Following its immense success and the end of her record label contract, Charli’s destiny is in her hands
King Gizzard And The Lizard Wizard are releasing three albums in one month and playing the biggest shows of their career. NME catches up with them on the road to talk the Coltranian complexity of new album ‘Changes’, prolificacy over perfectionism, and their glorious jam band era
After a glorious, but divisive, sonic shift, the Sheffield band double down with their lush new album ‘The Car’, proof that they’re ready to follow wherever the road takes them
Nearly three decades and seven albums deep, Slipknot have navigated a rocky path of brilliant highs and crushing lows that would put paid to most over bands. But, as their latest record ‘The End, So Far’ attests and frontman Corey Taylor tells NME, the metal icons are far from finished just yet.
