Adrian Yap

The Impatient Sisters on their “rebirth” and new album ‘7 Years’: “We’ve come full circle”

The Malaysian folk trio talk to NME about their introspective sophomore album, life and the importance of family

Couple – ‘Poptimism’ review: a mature return from Malaysian power pop stalwarts

The veteran band evolve their sound with mostly sparkling results

Malaysian indie veterans Bittersweet bow out with best-of collection: “It’s a proper goodbye”

Founding guitarist Herri Hamid opens up to NME on the “frustrating” end of Bittersweet, his future plans and more

Forests – ‘Get In Losers, We’re Going To Eternal Damnation’ review: Singaporean emo trio at their most confident

Cathartic singalongs, smart-alec wordplay and punky yet technical songwriting – Forests have arrived at the epitome of their sound

The Fridays – ‘No One Realizes This Is Nowhere’ review: ’90s pop culture nostalgia from Malaysian six-piece

The Fridays drop the jangly indie pop sounds of their 2015 debut but stay every bit as nostalgic

Terrible People – ‘Home, In A Way’ review: a cohesive, mature record from the Singaporean emo trio

Challenged to make an album that could appeal to a wider audience, Terrible People deliver

Jaggfuzzbeats: Malaysian indie rock duo follow a buzzy debut with an “angrier and heavier record”

Though titled ‘Subtle Shift’, Azrul Zainal and Omar Aiman’s new EP finds the duo all grown up and no strangers to life’s hard knocks

Subsonic Eye – ‘Nature Of Things’ review: Singapore indie rockers shed the reverb to embrace rougher edges

The band take a left-turn from dream pop into Midwest emo on their bold third album

Heymun – ‘HYMN’ review: An ambient rebirth with an organic twist

Malaysian artist completes her transformation with new album

Azmyl Yunor – ‘John Bangi Blues’ review: A no-frills comeback from Malaysia’s veteran troubadour

The singer-songwriter delivers blistering commentary on the “Middle Malaysia” experience on his fourth record