Jon Bailes

‘Madison’ review: photograph your inner demons

Don't forget to say 'cheese'

‘Final Vendetta’ review: A robust brawler short on modern sophistication

Many scrappy returns

‘Card Shark’ review: cheat the rich in a unique indie with plenty of aces up its sleeve

The art of the deal

‘Syberia: The World Before’ review: a heartfelt and compelling point and click adventure

Coming in from the cold

‘Kingdom of the Dead’ review: a proficient ‘Doom’-laden budget FPS that lacks real bite

Black and white and red all over

‘Uncharted: Legacy of Thieves Collection’ review: still spectacular, still flawed

Treasure hunting at 60fps

‘Ikai’ preview: a feudal Japanese horror tale that’s more intriguing than scary

Lore and order

Loops, I did it again – why 2021 was the year of the time loop story

Returnal, Deathloop and others used repetition to reveal the tensions in how we play games

‘Elden Ring’ could be a fresh reboot for FromSoftware’s boss design

A brave new open world promises more variety and flexibility

‘Darkest Dungeon 2’: How Redhook Studios are reinventing their roguelike classic

The road to hell is paved with good intestines

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