Rhys Buchanan

Metronomy – ‘Small World’ review: the songwriting shines as brightly as ever

The band have stripped down the setup for their romance-packed seventh album

Beach House: “Nostalgia is dangerous. There was a lot about ‘00s indie that sucked”

The dream-pop duo have weathered fickle tastes and emerged with the innovative 'Once Twice Melody'

Neil Young & Crazy Horse – ‘Barn’ review: rugged and rural beauty, with a sense of hope

There’s a cracked and weary charm to the rock'n'roll veteran’s latest outing

Pip Blom – ‘Welcome Break’ review: a familiar follow-up full of spark

The Amsterdam four-piece build on the winning indie-pop foundations of their debut with an effort that fizzes with confidence and self-belief

Parcels – ‘Day/Night’ review: an ambitious and arresting step forward

The Berlin-via-Byron Bay disco gang take us on a cyclical voyage on their second outing

Geese – ‘Projector’ review: one of the year’s most thrilling rock debuts

The Brooklyn teens deliver some of the most compelling guitar music around – straight from their leaky basement

Parquet Courts: ‘Sympathy For Life’ review: Brooklyn indie-punks at their adventurous best

The cult heroes navigate more garage-rock, but also hurtle into unchartered territory

The War On Drugs on an unlikely rise to the top: “Music should be filled with wonder”

Adam Granduciel talks becoming one of the world’s biggest rock bands – without compromise

Gustaf – ‘Audio Drag For Ego Slobs’ review: art-punk that leans on humour and tradition

Gustaf prove there’s a reason why they’re one of the most exciting names to have emerged from NYC’s post-punk scene in recent years
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