Thomas Smith

Billie Eilish’s new song ‘Therefore I Am’ is an existential banger (and might boast her best chorus yet)

Billie fuses critical philosophy with a swipe at the haters on her thrilling new single

Daði Freyr on Iceland Airwaves, Hot Chip’s influence and next year’s Eurovision song

The Icelandic electro-pop star might have missed out on Eurovision glory, but he tells NME he'll be back next year. First up though, is Live From Reykjavík online festival

Gorillaz – ‘Song Machine: Season One – Strange Timez’ review: bingeable brilliance from the pop oddballs

The virtual band continue to eschew tradition and expectation with a guest-heavy alt. pop romp

Kevin Morby – ‘Sundowner’ review: intimate, lo-fi musings on love and isolation

Morby reflects on his Kansas City beginnings on his pensive sixth album

Ruby Fields: strident garage-rock fuelled by self-improvement

The Aussie star's new song 'Pretty Grim' is a tale of betterment and improvement, all set to clattering guitars and sincere vocals

Beabadoobee – ‘Fake It Flowers’ review: the sound of a modern guitar great in bloom

The journey from bedroom-hero to bonafide rockstar is complete for the Londoner

Ruby Fields shares gritty new single ‘Pretty Grim’

The Australian artist has released their first song of 2020

Disclosure – ‘ENERGY’ review: super-mash bros bring back-to-basics dancefloor dynamite

The Lawrence brothers' first album in five years is an electrifying bender
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