Reviews

‘Promising Young Woman’ review: darkly funny revenge thriller pulls the rug on predators

Carey Mulligan's vengeful protagonist serves up bloody justice to creepy men

STAYC’s ‘STAYDOM’ is a low-key, summer-ready comeback that manages to hit all the right notes

The rookie K-pop girl group take a far more relaxed approach on their sophomore offering – though it’s anything but boring

‘Nomadland’ review: moving road movie plays like a Bruce Springsteen song

Frances McDormand's Fern and the Boss share a love of life out in the open

‘The Father’ review: Anthony Hopkins’ powerful portrait of dementia

Yet another landmark performance from the acclaimed actor

‘The Nevers’ review: soporific sci-fi fantasy proves Joss Whedon’s lost his touch

A confusing mix of space and steampunk

‘Sound Of Metal’ review: Riz Ahmed’s drummer drama is unlike anything you’ve seen

When noise-rocker Ruben suddenly loses his hearing, he must find a new path in life

‘Thunder Force’ review: odd-couple superhero comedy forgets to be funny

Many heroic abilities are on display – but cracking jokes isn't one of them

‘Palm Springs’ review: ‘Groundhog Day’ in the California Desert

Andy Samberg swaps sitcoms for the Coachella Valley in a touching time-loop romance

Sorry – ‘Twixtustwain’ EP review: shapeshifting London band ramp up the anxiety

Songwriters Asha Lorenz and Louis O’Bryen have described this record as “claustrophobic” and “intense” – they're weren't kidding

Brockhampton – ‘Roadrunner: New Light, New Machine’ review: pain and resolution

Danny Brown, JPEGMAFIA and more all show up on the band’s sixth album, but it remains a record defined by the collective’s emotional heaviness
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