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Album Reviews
Arab Strap – ‘As Days Get Dark’ review: a superbly seedy career-best
Aidan Moffat and Malcolm Middleton have returned with a record that's dark, debauched, tragic – and strangely beautiful
Zara Larsson – ‘Poster Girl’ review: Swedish pop don riffs on love in all its messy glory
When the star sings
"this girl's having fun"
, you believe her
Tom Grennan – ‘Evering Road’ review: as nice but nondescript as the street it’s named after
The Bedford singer's soul-inspired second album finds him mostly the middle of the road
A Day To Remember – ‘You’re Welcome’ review: a mish-mash of sounds and moany lyrics
The band's seventh album sounds like a time capsule from an era of more petty concerns
ATEEZ – ‘Zero: Fever Pt. 2’ review: messages of comfort clash with jumbled experimentalism
The fourth generation boyband strike gold in simplicity but let their curious spirit get the better of them in the second part of their prequel series
Wonho – ‘Love Synonym #2: Right For Us’ review: a love letter to all the fans who stood by him
A heartfelt, musical bridge connecting the K-pop singer and his fans until the day they finally reunite
Senyawa – ‘Alkisah’ review: Indonesian avant-garde titans continue to evolve
Yogyakarta duo kickstart their second decade with a portentous collection of apocalyptic hymns
Madison Beer – ‘Life Support’ review: diaristic lyricism with gut-punch honesty
Even while hopping through countless genres, the LA-based singer is always defiantly herself
Nick Cave & Warren Ellis – ‘Carnage’ review: the peak of their powers
Cave and his Bad Seeds bandmate take an adventurous leap into the COVID era’s dark night of the soul
Cloud Nothings – ‘The Shadow I Remember’ review: spit-and-sawdust indie-punk
The Ohio quartet's eighth album speaks to their 10 years in the game, a lack of inventiveness offset by their relentless drive
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