Reviews

Brisom – ‘Mixtape Vol. 1’ review: Solid stopgap release from Manila synth pop trio

Half new originals and half remixes, this project comes four years after the band’s debut ‘Limerence’

April – ‘Luna’ EP review: Stirring musings on the what-ifs of life and love suited for these uncertain times

The rising Irish bedroom popper searches for meaning amid the shitstorm that is 2020 on her contemplative second EP

Jean Dawson – ‘Pixel Bath’ review: LA-based innovator comes good on an expansive expression of the self

Why stick to one genre when you can convincingly borrow from them all? With his latest album, Dawson solidifies the pick’n’mix appeal of the streaming era

‘Tenderfoot Tactics’ review: a solid tactical combat game with an absolutely enchanting overworld

Traverse a beautiful, abstract archipelago while beating back the Fog

Oculus Quest 2 review: a powerful, affordable entry point for the VR-curious

Oculus delivers a fully-featured VR package that should be the go-to headset, as long as you can look past a few queasy caveats

Ty Dolla $ign – ‘Featuring Ty Dolla $ign’ review: a self-referential opus from a star with serious clout

Beneath the noise – the skits, the A-list features – this third solo album is a victory lap for a hugely influential artist

Billie Eilish live in LA: teen superstar builds a brave new world (and has a message for the real one)

The star urged fans to use their voices and not take life for granted during the bold extravaganza

‘Cadaver’ review: Scandi-horror’s body count outnumbers the actual scares

Director Jarand Herdal tries to tell a unique story but forgets to pack in any frights

‘On The Rocks’ review: screwball comedy, freewheeling chaos and a perfectly on-form Bill Murray

A fabulous father-daughter team played by Murray and Rashida Jones make Sofia Coppola’s chattiest ever film extremely fun company

‘The Queen’s Gambit’ review: punked-up chess drama fails to deliver a checkmate move

A glamorous Anya Taylor-Joy doesn’t show the true cost of addiction
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