‘Eastward’ review: An artful ode to classic JRPGs that doesn’t know when to stop talking

Nostalgia, beauty and clever design struggle against an overwritten script

‘WarioWare: Get It Together!’ review: A welcome return with a so-so character quirk

In WarioWare: Get It Together, manic microgames still delight but lack the anarchic spark of past entries

Young K – ‘Eternal’ review: the Day6 vocalist does what he does best

The singer’s solo debut is a striking reflection of his songwriting and finely tuned emotions, and also doubles as a temporary parting gift to fans

Shantanu Pandit – ‘Milk Teeth’ review: a coming-of-age tale told in shifting soundscapes

The New Delhi-based singer-songwriter’s debut solo album thrives in the the twilight between childhood and adulthood

Sleigh Bells – ‘Texis’ review: New Yorkers throw off the shackles of conformity

Alexis Krauss and Derek Miller continue to explore new sonic terrain

Baby Keem – ‘The Melodic Blue’ review: Kendrick’s protege forges his own path on exhilarating debut

Rising star shows his versatility and wide-ranging sound on confident, mostly self-produced project

Lee Hi – ‘4 ONLY’ review: a long-waited, soulful homecoming from one of K-pop’s most elite

This vocal powerhouse steps up to the plate, vocally and creatively, with her first record under AOMG as she looks beyond her soulful roots

Low – ‘Hey What’ review: Minnesota duo shake off the ‘slowcore’ tag once and for all

28 years into their career, the band continue to reshape rock music