Alan Wen

‘No More Heroes 1 & 2’ review: an ultra-violent guilty-free return to the garden of madness

The surprise Switch ports of two action cult classics serve as appetisers for Travis Touchdown’s comeback

Akira Yamaoka: the ‘Silent Hill’ composer’s unlikely return to horror

Gaming’s rockstar discusses his career and exploring music beyond horror

‘Ghostrunner’ review: a deadly cyberpunk first-person slasher that tests your patience

Ninja parkour gets too slippery to control as you bring a katana to a gunfight

‘Genshin Impact’ review: it does more than just ride on the coattails of ‘Breath Of The Wild’

A wonderful free-to-play game bolstered by fantastic elemental combat

‘BPM: Bullets Per Minute’ review: an inventive rhythm FPS hybrid that’s also a hellish roguelike

Do the ‘Doom’ dance as you shoot, jump, dodge and reload to the beat

‘Raji: An Ancient Epic’ review: a brief but mesmerising action-adventure

Familiar platforming and combat infused with the mysticism of Hindu and Balinese mythology

‘Spiritfarer’ review: a beautiful management game about dying too mired in frustrating busywork

An abundance of charming mechanics doesn’t stop this boat trip from going adrift

‘Fall Guys: Ultimate Knockout’ review: a hilarious, non-violent battle royale alternative

A manic 60-player variety game show you can’t help but fall for

‘Star Wars Episode I: Racer’ review: a no-frills port that still offers throwback thrills

A PS4 and Nintendo Switch re-release of one of the more memorable products of ‘The Phantom Menace’, but little else

‘Maneater’ review: an original concept that bites off more than it can chew

‘Jaws’ but an open world action RPG is a mischievous idea that’s ultimately short-lived
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