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Cat Woods
Romero – ‘Turn It On!’ review: a thrilling rock ’n’ roll joyride
The Melbourne band's debut album is a vivacious, shack-shaking garage rock beast
Camp Cope – ‘Running With The Hurricane’ review: hard-won hope and raw elegance
The trio move on from their indie punk beginnings on their third album, which offers songs more mature but no less magnificent
Pinch Points – ‘Process’ review: Riveting post-punk that seethes with righteous anger
On their second album, the Melbourne four-piece stare down societal dysfunction with the help of producer Anna Laverty
Alex Cameron – ‘Oxy Music’ review: Conceptual synthpop that leaves you a little cold
The Australian artist’s new album is a commentary on America’s opioid crisis with rare moments of emotional connection
FERLA – ‘Personal Hotspot’ review: Nostalgic synthpop shot through with sardonic, seductive humour
A catchy, buoyant record about our modern apocalypse that may make you wonder if you’re the butt of the joke or involved in its telling
Gabriella Cohen – ‘Blue No More’ review: A lively, confident adventure
But melancholy tinges the third studio album from this alt-folk and blues singer-songwriter
Grace Cummings – ‘Storm Queen’ review: show-stopping vocals and poetic songs
An arresting second record from the Melbourne artist, though the theatrics sometimes work against the songs
Kalaji – ‘Kalaji’ review: Sweeping, evocative electronic soundscapes by Mark Coles Smith
Best known as an actor, Mark Coles Smith explores his Nyikina heritage and relationship to the Martuwarra in Sigur Rós-esque compositions
Jaala – ‘Gap Tooth’ review: sensuous, synth-heavy sounds from an evolving band
The Melbourne three-piece make a trippy, jazzy left-turn on their third record
RÜFÜS DU SOL – ‘Surrender’ review: Electronic trio offer atmospheric optimism but nothing new
Haunting sonics support hopeful mantras in a record that doesn’t stray from the playbook
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