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Dhruva Balram
Shygirl – ‘Nymph’ review: pop rulebreaker shines with a little help from her friends
On her long-awaited debut album, the London-based artist unlocks a new level of intimacy and emotional depth in her songwriting
Toro y Moi – ‘Mahal’ review: Californian experimentalist offers a pastiche to suit every taste
The artist's seventh album is a divine demonstration of genre-blending, psychedelic electronic music
Pusha T – ‘It’s Almost Dry’ review: Virginia legend still going strong in his rap tenure
The 44-year-old's latest proves that true lyricism is the key to longevity in the rap game
Syd – Broken Hearts Club’ review: arguably the R&B star’s strongest project to date
Album two was conceived as a collection of love songs – until heartache struck
Five things we learned from our In Conversation video chat with Toro y Moi
Toro y Moi on creating his new album 'Mahal'
Little Simz – ‘Sometimes I Might Be Introvert’ review: stunning introspection from a true great
The much-lauded London rapper melds razor-sharp lyricism, moving vulnerability and compassionate storytelling as she ascends to the level of legends
Fredo – ‘Independence Day’ review: gritty but unmemorable road-rap
The west London rapper returns to his road-rap roots on his second album of the year
Sons of Kemet – ‘Black To The Future’ review: rage, resentment – and hope
This is the experimental jazz quartet's incendiary evocation of Black Lives Matter
AJ Tracey – ‘Flu Game’ review: UK rapper remains in a league of his own
The Londoner bills himself as music's Michael Jordan with an ode the player's infamous 1997 match
ZAYN – ‘Nobody Is Listening’ review: ex-boybander crafts quietly purposeful pop
The former One Directioner's last album 'Icarus Falls', was a critical hit but commercial flop. Here he swaps maximalism for simplicity
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