James Mottram

‘Five Nights At Freddy’s’ review: pizza parlour horror doesn’t deliver

You won't want to spend even one evening with this lifeless flop

The wisdom of Martin Scorsese: “I had to go through everything in order to learn”

The greatest living director says he's still a student – but what of?

‘Frasier’ review: fear not – the Cranes’ risky reboot is quite stylish

We hear the blues a-callin'... they're callin' again

‘The Bikeriders’ review: Austin Butler and Tom Hardy’s ‘Easy Rider’ rebels roll out

The Hollywood A-listers get to fussin' and fightin' in this 1960s revival

‘Saw X’ review: Jigsaw returns for more violent mayhem

Modern horror's favourite villain is wheeled out again

‘The Wonderful Story Of Henry Sugar’ review: Wes Anderson’s magical Roald Dahl dalliance

Benedict Cumberbatch leads another all-star cast from the quirky film guru

Daisy May Cooper: “Have I seen ‘Barbie’? No, fuck that!”

The filter-less comic on 'Buzzcocks', boy bands and James Bond

‘Blue Beetle’ review: a new comic book critter scuttles onto screens

DC's first Latino superhero debuts in a different kind of action adventure

David Harbour: “I was always the black sheep weirdo”

How the 'Stranger Things' star went from Hawkins to Hollywood headliner

Wes Anderson: “Seu Jorge reinvented David Bowie songs he didn’t know – I didn’t realise until I was shooting the movie!”

The renowned filmmaker chats to NME about his new movie 'Asteroid City', his quest to get Beatles songs into his films and his 20-year friendship with Jarvis Cocker
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