Luke Morgan Britton

Baby Keem – ‘The Melodic Blue’ review: Kendrick’s protege forges his own path on exhilarating debut

Rising star shows his versatility and wide-ranging sound on confident, mostly self-produced project

Divorce, Drake disses and problematic features: 10 talking points from Kanye West’s ‘DONDA’

Now the dust has settled, let's sift through this 27-track mess to pick out its defining characteristics

Kanye West’s much-delayed 10th album ‘DONDA’: the story so far

Chaotic releases are nothing new from Ye, but his one has been wilder than most

Tyler, the Creator – ‘Call Me If You Get Lost’ review: a love letter to the genre that made him

The iconoclast confronts cancel culture, his own controversial past and the notion of personal growth

DJ Khaled – ‘Khaled Khaled’ review: another one from the best schmoozer in the biz

If you swapped numbers with Khaled at an after-party and aren't on this album, you should feel offended

Drake – ‘Scary Hours 2’ EP review: title defender sounds ready to challenge himself again

Three-track release shows that Drizzy's heading in the right direction after a bumpy few years

JPEGMAFIA – ‘EP2!’ review: abrasive rapper tries out a softer sound

The artist's second release in a few months continues the journey he began with 2019's ‘All My Heroes Are Cornballs’

Miss Grit – ‘Impostor’ EP review: New Yorker’s reflective collection brims with confidence

Early praise left Margaret Sohn wrestling with imposter syndrome, but her second EP is an assured artistic leap forward

BackRoad Gee: drill-grime hybrid star who doesn’t like “doing the ordinary”

Having spent 2020 teaming up with pals Pa Salieu and JME, he's now looking forward to his debut mixtape in the coming year
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