Mark Beaumont

Bob Dylan – ‘Rough And Rowdy Ways’ review: arguably his grandest poetic statement yet

The master's first original album in eight years explores religion, war, music and civil rights

‘The Last Days Of American Crime’ review: ultraviolent comic book joyride screeches off the page

Inspired by 'Joker' and influenced by 'John Wick', this Netflix action romp turns everything up to 11

‘Zack Snyder’s Justice League’ is finally on the way – but does it have to take itself so seriously?

What happened to the silly, bonkers comic book movies that used to dominate the multiplex?

Tim Burgess – ‘I Love The New Sky’ review: cult-pop that should break the ‘trending’ bar in its own right

The Charlatans frontman's fifth solo record is an autobiographical beaut that skips along to gorgeous melodies even as it charts heartbreak

David Lynch is turning into cinema’s biggest lockdown hero

The surrealist moviemaker gifted us with a new short film this week

Interactive TV is the best way to control your own destiny during lockdown

At a time when we can't go where we want, why not have an adventure on telly?

Circa Waves on surprise new EP ‘Sadder Happier’: “I was quite pissed off when I wrote these songs”

Frontman Kieran Shuddall opens up about new music, celebrating success, inspiration, losing loved ones to COVID and life under lockdown.

Netflix’s ‘The Midnight Gospel’ isn’t psychedelic escapism – it’s a showcase for VR brainwashing

Duncan Trussell's new animation paints our virtual future as a terrifying hellhole

Ricky Gervais’ ‘After Life 2’ is great – but it’s the worst-timed series in TV history

Pain and pathos make for compelling viewing, writes Mark Beaumont, just not right now

‘Stardust’: Johnny Flynn releases first original song from upcoming David Bowie biopic

'Good Ol' Jane' was intended to sound like “an early, lost Bowie song"
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