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Max Pilley
Charlotte Adigéry and Bolis Pupul – ‘Topical Dancer’ review: a joyous, humorous headrush
The pals and collaborators contrast colourful dance-pop melodies with wickedly sharp and biting takedowns of misogynist media
Tkay Maidza – ‘Last Year Was Weird, Vol. 3’ EP review: elite pop music
The final instalment in the Australian-Zimbabwean rapper's 'Last Year Was Weird' trilogy is flooding with winning moments
Kojaque – ‘Town’s Dead’ review: a shatteringly real reflection of Dublin life
The Irish rapper's fierce independent spirit permeates through this satisfying and often touching debut album
Max Bloom – ‘Pedestrian’ review: former Yuck frontman explores life in the slow lane
The musician evokes life in lockdown across this second solo album
Lynks – ‘Smash Hits Vol. 2’ EP review: playful anthems from Bristol’s queercore breakout
The self-anointed "drag monster" gleefully ups the game on outrageous new EP
Keep Dancing Inc. – ‘Embrace’: Parisian trio’s electro-flavoured dancefloor fillers
The Parisian trio gleefully pinch sounds from indie heroes on both side of the Channel
Billy Nomates: “In a world of Yes Men, I’ll be a No Woman, thanks”
Signed to Geoff Barrow's label and already pals with Sleaford Mods, Tor Maries is more than ready to unleash her debut LP as Billy Nomates
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