Rhys Buchanan

Nation Of Language – ‘Introduction, Presence’ review: Brooklyn new wave trio make riveting case for ’80s revival

They pair incisive synth-pop and brutally sad lyricism on their debut

The Dears – ‘Lovers Rock’ review: the gloomy and overbearing sound of a band running out of gas

Album eight sees the Montrealers serve up morbid indie-rock preoccupied with the apocalypse

Car Seat Headrest – ‘Making A Door Less Open’ review: as confounding as its knowing title suggests

Will Toledo and the gang have shied away from their winning indie sound, instead embracing dance and electro influences

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