- READ MORE: Tame Impala – ‘Lonerism’ review
Sharing his thoughts on the sophomore project — which was released on October 5, 2012 — the Tame Impala frontman took to Instagram to post a lengthy reflection on the creative process and artistry behind ‘Lonerism’. Parker accompanied the message with an unedited copy of the photo used on the album’s cover, which was first taken in Paris a decade ago.
“[It’s] Difficult to sum up what the album means to me at this point,” Parker wrote, “It was a pretty special time for me making the music… In a way it’s when I truly discovered myself as an artist.” The producer went on to discuss the album’s predecessor, writing that Tame Impala’s debut project ‘Innerspeaker’ gave him a “new sense of purpose” when creating ‘Lonerism’.
“I had finally given myself permission to let music take over my being completely… So I had this new sense of creative freedom.” Elsewhere in the post, Parker said that while he “felt free to be ambitious, weird, pop [and] experimental” during the production of ‘Lonerism’, he ultimately had doubts as the album’s due date drew closer, writing that “it all came crashing down” on release day.
“I thought the album sucked and couldn’t even imagine people enjoying it”, he recalled. Parker concluded the anniversary message by saying that despite his initial reservations, ‘Lonerism’ had “exceeded all my expectations”, and has since fuelled a “new sense of purpose” for “the cycle [to] start again”.
The comments come days after Tame Impala performed ‘Lonerism’ in full during a headline set at California’s Desert Daze festival. First announced in June, the tenth anniversary show saw the Australian psych-pop band perform lead singles like ‘Elephant’ and ‘Mind Mischief’, as well as debuting fellow album cut ‘She Just Won’t Believe Me’ for its first-ever live rendition.
In a four-star review of ‘Lonerism’, NME deemed the album “a luscious floaty ode to solitary life”, writing at the time that Tame Impala’s second offering “is escapism that comes from a desperate place.”