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Anuel AA & Ozuna – ‘Los Dioses’ review: Latin pop titans lock horns on massive reggaeton collab
The Puerto Rican pair evoke the partying days that many of us are missing
Bicep – ‘Isles’ review: trippy electronic tales that transcend the club world
The DJ-producer duo’s introspective yet hard-hitting second album shows just how affecting dance music can be
‘Losing Alice’ review: dream-like erotic thriller gets lost in its own thoughts
Apple's new miniseries looks gorgeous, but its cinematic sensibilities don't quite make for gripping telly
Logic1000 – ‘You’ve Got The Whole Night To Go’ EP review: uplifting collection to soundtrack another year of home raves
The Sydney-born Berlin-based artist follows up an array of remixes with euphoric house, wriggly acid and optimism
Lonely The Brave – ‘The Hope List’ review: British rockers’ heart-pounding comeback
The Cambridge group have re-emerged with a solid third record and hope for the future
Still Corners – ‘The Last Exit’ review: open-road Americana takes a familiar route
The duo's fifth record exudes dustbowl chic, noirish sounds and pandemic-inspired dream-pop
‘Scott Pilgrim vs. The World: Complete Edition’ review: a forgotten classic returns
Pop culture’s most beloved gamer boy returns to consoles – for better and for worse
Nyck Caution — ‘Anywhere But Here’ review: the tenured rapper teaches you why he’s a pro in his era on sparkly debut
In a world where lyricism is now scare in rap music, Pro Era's Nyck Caution helps keep hip hop alive with this collection
‘Baby Done’ review: Taika Waititi-produced Kiwi comedy about parenthood
Rising star Rose Matafeo breaks out in a heartfelt indie
‘Hitman III’ review: absurd international assassination at its absolute finest
If it ain’t broke, don’t fix it
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