Reviews

‘The Third Day’ review: Jude Law’s inventive mystery drama from the team behind ‘Utopia’

Dennis Kelly, who created the Channel 4 cult classic, reunites with director Marc Munden and composer Cristobal Tapia de Veer

‘BPM: Bullets Per Minute’ review: an inventive rhythm FPS hybrid that’s also a hellish roguelike

Do the ‘Doom’ dance as you shoot, jump, dodge and reload to the beat

‘The Duchess’ review: Katherine Ryan’s madcap diary of a single mum

You'll either love or hate this no-fucks-given, sharp-tongued anti-hero

TiaCorine – ‘34Corine’ review: viral star comes good with diverse, deceptively confident debut EP

The North Carolina rapper and singer became a viral star thanks to this year's catchy 'Lotto'

‘The Devil All The Time’ review: one of the most miserable films you’ll ever see

Two and a half hours of unrelenting sadness, anxiety and distress – but impossible to stop watching

‘The Babysitter: Killer Queen’ review: ‘Scream’ meets ‘Home Alone’ in raucous comedy horror sequel

More of the same for fans of director McG's blood-spattered, satanic hi-jinks

Everything Everything – ‘Re-Animator’ review: indie-pop’s enduring oddballs go widescreen

Frontman Jonathan Higgs channels his inner Thom Yorke, and writes the biggest song of his career

Marilyn Manson – ‘We Are Chaos’ review: The God Of Fuck’s most diverse and human work to date

The shock-rocker swaps pantomime for vulnerability on his best album since 2000's seminal 'Holy Wood'

Haiku Hands – ‘Haiku Hands’ review: unapologetically energetic record that keeps the good times rolling

The dance pop three-piece refuse to simply meet expectations on their long-awaited debut

‘Cuties’ review: thoughtful coming-of-age drama caught up in controversy

Maïmouna Doucouré's searing critique of premature sexualisation
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