Neil Peart’s iconic drum kit expected to reach $100,000 at auction

Peart's iconic chrome Slingerland set is going under the hammer

The drum kit played by Rush‘s Neil Peart between 1974-1977 is expected to fetch more than $100,000 (£75,000) at auction in the coming weeks.

Peart’s iconic chrome Slingerland set, which he used for recordings and live performances, will go under the hammer between November 23 and December 9 as part of Bonhams’ Music Memorabilia auction.

Bonhams expects the drum kit will sell for approximately $104,000 (£77,695) to $157,000 (£117,290).

The coveted kit features dual blue heads printed with Rush’s logo and Neil Peart’s name, as well as chrome-wrapped Tom-toms with an original head signed by Peart himself.

As the Bonhams listing explains, the kit was purchased by Peart in 1974 from Toronto’s Long & McQuade music store shortly after he joined the iconic band.

Neil Peart
Neil Peart performing on the band’s R40 tour. Credit: Mat Hayward/Getty Images

Peart used the kit for his first performance with the band on August 14, 1974 and it acted as his main drum set until 1977.

Albums such as ‘Fly By Night’, ‘Caress Of Steel’ and ‘2112’ were all recorded with the kit, alongside the band’s first live album ‘All The World’s A Stage’ during Rush’s three-night residency at Toronto’s Massey Hall.

Peart, who was widely considered to be one of the greatest drummers of all time, passed away in January after a lengthy battle with brain cancer.

Leading tributes from famous fans, Dave Grohl called Peart “a kind, thoughtful, brilliant man.”

“Today, the world lost a true giant in the history of rock and roll,” he said. “An inspiration to millions with an unmistakable sound who spawned generations of musicians – like myself – to pick up two sticks and chase a dream. A kind, thoughtful, brilliant man who ruled our radios and turntables not only with his drumming, but also his beautiful words.”

He added: “I still vividly remember my first listen of ‘2112’ when I was young. It was the first time I really listened to a drummer. And since that day, music has never been the same. His power, precision, and composition was incomparable. He was called ‘The Professor’ for a reason: We all learned from him.”

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