McLemore, who died in June 2015, recorded an album back in 2003 which remixed the work of the artist Tor Lundvall
An album of music by the late subject of S-Town, John B. McLemore, has finally been released – listen to the tracks below.
The popular investigative podcast – which was released back in March 2017 – centred around McLemore and, in particular, his observations on the town of Woodstock, Alabama. The podcast was a huge critical success upon its release.
- Read more: Holy shit – S-Town is podcast perfection
McLemore – who committed suicide in June 2015 – was also a keen musician who made an album back in 2003 which remixed the work of artist Tor Lundvall. The two began emailing in 2012 after McLemore sent him the album, with the communication leading to the release of the album ‘Witness Marks’ – which you can listen to below.
Tor Lundvall Presents Witness Marks: The Works of John B. McLemore, an album by Tor Lundvall, John B. McLemore on Spotify
McLemore wrote a lengthy statement on ‘Witness Marks’ back in 2012 – read it in full below.
This is what was intended to be the second part of my Tor Lundvall Remix series. Unfortunately I am dissatisfied with it due to a few defects, and it is highly unlikely that I will ever be able to complete it. Still it serves as a testament to my interest in the work of Tor Lundvall that I made it this far.
Defects are as follows: The first movement is too ‘fussy’, and the first section of the fifth movement seems a bit long and may bore the listener, but since it consisted of so many slow moving textures, I don’t know how I could redo it and still achieve what I was wanting to accomplish. Additionally, this recording was done just days before my Father died, and there are many feelings of guilt associated with the time spent on it. If you are receiving this recording, either you are one of my better friends, or you are a great admirer of Tor Lundvall, and requested that I send it to you.
1st Part: Basically a track of me fiddling around with old clock bells, and air turbulence mixed with Tor Lundvall and Field Recordings of rain, birds, cicadas, frogs and such.
2nd Part: My interpretation of Lundvall’s Dark Spring. This track was inspired by the music of Carl Michael von Hausswolff.
3rd Part: Very ambient Field Recordings inspired by the work of Francisco Lopez.
4th Part: A Very Quiet passage consisting of delicate Field Recordings.
5th Part: Music performed entirely by me inspired by the Darker paintings of Tor Lundvall. Most of the instruments on this piece consisted of dried seed pods from the plant; Showy Rattlebox (Crotolaria Spectabilis), that I had collected and dried the previous Fall. There are other sounds from my own environment as well.
This mix was assembled in the Late Fall of 2003. There are some very Quiet passages in this piece, so it requires a nearly Isolated listening environment… It should be heard After Midnight, in the Late Fall of the year, and, not surprisingly, a Very Long Attention span is a Prerequisite.