‘Cadaver’ review: Scandi-horror’s body count outnumbers the actual scares

Director Jarand Herdal tries to tell a unique story but forgets to pack in any frights

‘Summer of 85’ review: enchanting, nostalgia-packed tragedy full of jumbled emotions

Told via flashbacks, François Ozon’s queer romance is both tender and intense

‘On The Rocks’ review: screwball comedy, freewheeling chaos and a perfectly on-form Bill Murray

A fabulous father-daughter team played by Murray and Rashida Jones make Sofia Coppola’s chattiest ever film extremely fun company

‘The Queen’s Gambit’ review: punked-up chess drama fails to deliver a checkmate move

A glamorous Anya Taylor-Joy doesn’t show the true cost of addiction

‘Pixie’ review: convoluted Irish crime caper that’s saved by its star

Olivia Cooke shines in the title role, but moments of dated lad humour fall flat

‘Bruce Springsteen’s Letter To You’ film review: grief-stricken contemplation on the fragility of life

The Boss looks back at a career that's been filled with huge highs and devastating lows

Ariana Grande’s new song ‘Positions’ is a stately introduction to the pop star’s next era

The comeback track might be mellow, but its accompanying video conveys her towering ambition

Joe & The Shitboys – ‘The Reson For Hardcore Vibes’ review : no-frills, maximum-glee punk rock

The Faroese band tackle homophobia, veganism and general bad vibes with humour and sincerity

Junglepussy – ‘JP4’ review: rapper and alt-rocker is as wild as her moniker suggests

28-year-old New Yorker Shayna McHayle blends genres with untamed abandon