Reviews

Film Reviews

‘The Invisible Man’ review: post-Me Too reboot of a horror classic falls foul of genre’s golden rule

Don't reveal the monster too soon

Alex Flood - 25th February 2020

Album Reviews

Skengdo X AM – ‘EU Drillas’ review: pan-European mixtape proves the Brixton duo are ideal ambassadors for UK drill

Well, someone's got to bring us back together with Europe, so why not Brixton heroes Skengdo X AM? The drill duo have recruited the...

Kyann-Sian Williams - 24th February 2020

Film Reviews

‘Minamata’ review: sluggish eco-disaster drama is yet another forgettable Johnny Depp B-movie

Depp's gonzo turn is half-Captain Birdseye half-raggedy art student

Lou Thomas - 24th February 2020

Film Reviews

‘The Public’ review: ’80s icon Emilio Estevez tackles blinkered bureaucrats in this high-minded social advocacy drama

'The Breakfast Club' star directs for the first time in a decade

Greg Wetherall - 23rd February 2020

Film Reviews

‘Like A Boss’ review: creatively bankrupt comedy about a cosmetics tycoon wastes its top-level talent

This awkward non-comedy desperately needs a makeover

Nick Levine - 23rd February 2020

Album Reviews

Royce Da 5’9″ – ‘The Allegory’ review: a lesson in lyricism with wise words from Eminem and lesser-known talents

The Detroit rapper throws listeners into a world of sophisticated storytelling

Will Lavin - 21st February 2020

Album Reviews

BTS – ‘Map Of The Soul: 7’: Korea’s global heavyweights come of age and survey their already enormous legacy

This is an album full of big ideas, strong conviction and unguarded emotion

Rhian Daly - 21st February 2020

Live Reviews

PVRIS live in London: no new tunes, but it’s clear that frontwoman Lynn Gunn is an icon-in-waiting

New Order if they'd worshipped at the alter of London goth club night Slimelight instead of the Haçienda

Dannii Leivers - 21st February 2020

Live Reviews

Mura Masa live in London: party starting producer turned punk millennial mouthpiece flounders between two worlds

slowthai returns after NME Awards controversy alongside a star-studded cast of collaborators

Will Richards - 21st February 2020

Album Reviews

Ozzy Osbourne – ‘Ordinary Man’ review: the metal icon has quicksilver in his veins on first album in a decade

Undimmed by ill health and still having an absolute blast, the Wizard of Ozz remains a force to be reckoned with

Jordan Bassett - 21st February 2020

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