Album Reviews

Green Day – ‘Father Of All Motherfuckers’ review: political punks let their hair down on jukebox record

The political punks – shock horror! – eschew the politics

Andrew Trendell - 7th February 2020

Album Reviews

La Roux – ‘Supervision’ review: tropical ’80s-style pop inspired by George Michael gets a little samey

La Roux returns with this pacy, eight-track record

El Hunt - 7th February 2020

Album Reviews

Tame Impala – ‘The Slow Rush’ review: a 57-minute flex of every musical muscle in Kevin Parker’s body

Tame Impala move away from guitars and into mega pop-songwriting

Thomas Smith - 6th February 2020

Album Reviews

Meghan Trainor – ‘Treat Myself’ review: pure ‘High School Musical’ (without the fun basketball scenes)

At times Meghan Trainor's third album sounds like Glee, at others like the Love Island soundtrack

Hannah Mylrea - 3rd February 2020

Album Reviews

Russ – ‘Shake The Snow Globe’ review: Atlanta rapper finds success on his own idiosyncratic terms

Russ's 14th release is his most consistent album to date

Will Lavin - 3rd February 2020

Album Reviews

Lil Wayne – ‘Funeral’ review: the big kid refuses to grow up on this fitfully inspired surprise release

The influential rapper cuts a spritely figure on his 13 studio album

Thomas Hobbs - 3rd February 2020

Album Reviews

Kesha – ‘High Road’ review: superstar’s turbo-charged record veers across multiple lanes

Kesha just wants to have fun and follow her muse – for better or worse

Jordan Bassett - 31st January 2020

Album Reviews

Sløtface – ‘Sorry For The Late Reply’ review: middle-finger-raising bangers to soundtrack the end of the world

The Norwegian punks return, as politicised and full of fizzing energy as ever.

Hannah Mylrea - 31st January 2020

Album Reviews

Blossoms – Foolish Loving Spaces: yet another pop masterclass (with added disco and Talking Heads)

The Stockport heroes try on David Byrne’s over-sized suit for size. The fit? Pretty damn nice.

Thomas Smith - 30th January 2020

Album Reviews

Torres – ‘Silver Tongue’ review: the Brooklyn singer beguiles with her most personal memoir yet

Mackenzie Scott's fourth album is candid and romantic

Elizabeth Aubrey - 30th January 2020

Album Reviews

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