Film Reviews

‘The World To Come’ review: love overcomes loss on the American frontier

An exquisite exploration of same-sex relationships in the Old West

‘Jolt’ review: Kate Beckinsale’s high-watt energy adds much-needed spark

The 'Underworld' star proves her action chops once more

‘Old’ review: M. Night Shyamalan’s hokey holiday horror with a nightmarish twist

Youth is terrifyingly fleeting in the 'Split' director's new beach thriller

‘Riders Of Justice’ review: if Denmark did Liam Neeson schlockbusters

Mads Mikkelsen continues his hot streak with a classy, continental revenge thriller

‘Kandisha’ review: a French teen’s demonic revenge gone wrong

When Amelie calls on a murderous spirit to deal with her ex, it doesn't end well...

‘Fear Street Part Three: 1666’ review: witchy frights in the Old West

Netflix's gang of kid cursebreakers travel back to frontier times

‘Escape Room: Tournament Of Champions’ review: fun yet forgettable game night

This puzzle horror sequel just about does the job

‘Space Jam: A New Legacy’ review: LeBron James throws up an airball

The basketball legend's seemingly slam-dunk sequel misses the hoop entirely

‘The Velvet Underground’ review: revisionist doc reworks narrative of New York rock and rollers

Big-screen biography evokes an intoxicating era – but sidelines the band's creative heart

‘Son’ review: Oh boy! It’s ‘The Omen’ for a new generation

Ivan Kavanagh's indie horror is a cracking 'demonic kid' flick
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