Film Reviews

Film Reviews

‘To The Stars’ review: queer coming-of-age drama serves up clichés before knocking them flat

When a reckless new girl drives into town, loner Iris discovers a different part of her personality

Richard Phippen - 27th May 2020

Film Reviews

‘The High Note’ review: glossy music industry comedy is the film equivalent of easy-listening

Dakota Johnson and Tracee Ellis Ross fight for their right to be heard, backed by an impeccable soul soundtrack

Kevin EG Perry - 27th May 2020

Film Reviews

‘I’m No Longer Here’ review: identity, friendship and youthful passion make up this affecting drama out of Mexico

When he gets mixed up in gang violence, Ulises must flee his village for New York City

Olly Richards - 26th May 2020

Film Reviews

‘The County’ review: local grit and guts match mob rule in Icelandic rural drama

Grímur Hákonarson's tough new film sees a widowed farmer take on the mafia

Nick Levine - 22nd May 2020

Film Reviews

‘A Rainy Day In New York’ review: a damp end to Woody Allen’s Hollywood career

If this is the once-celebrated auteur's final movie, it's not how anyone would wish to go out

Paul Bradshaw - 21st May 2020

Film Reviews

‘The Lovebirds’ review: riotous buddy comedy is the perfect tonic for struggling lockdown couples

A grumpy duo must re-evaluate their relationship while on the run from the cops

Alex Flood - 20th May 2020

Film Reviews

‘Only The Animals’ review: brooding, dread-filled mystery hides a deep, dark secret

French director Dominik Moll makes use of multiple character perspectives to spin a twisting tale of murder and intrigue

Lou Thomas - 19th May 2020

Film Reviews

‘Proximity’ review: conventional sci-fi romp with a bizarre cameo from Jesus Christ

The saviour of cinema Eric Demeusy is not

Nick Levine - 19th May 2020

Film Reviews

‘Jihad Jane’ review: lies, deceit and murder in a tale of terrorist seduction

How a classic holiday hookup led Colleen LaRose to a life behind bars

Lou Thomas - 15th May 2020

Film Reviews

‘Never Rarely Sometimes Always’ review: visually sublime abortion drama is one of 2020’s most compelling movies

Eliza Hittman's latest feature will leave you emotionally broken by the end

Jack King - 15th May 2020

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