Essentially what a CD booklet always wanted to be when it grew up, Anthony Hegarty’s fourth album comes encased in a large hard-backed book of his cut’n’paste surrealist collages which cries ‘THIS IS ART!’ as loud and proud as any amount of affected he/she warbling. Thankfully, the album slipped into this HMV shelf-stacker’s worst nightmare largely justifies such grand pretensions. For every ‘Everything Is New’ – a looping chamber quartet refrain of the title that’s as artful and pointless as [a]Radiohead[/a]’s ‘Everything In Its Right Place’ – there’s a direct and devastating ode to death like ‘The Great White Ocean’. For every bout of backwards-piano esoterica (the title track) there’s a funksome brass-pop corker (‘Thank You For Your Love’).
And for every burst of lyrical ayahuasca – “Elect the salt mother/For she’s a selective Christ/Punch her ghost!” goes ‘Salt Silver Oxygen’ – there’s an ‘I’m In Love’, all jubilant romance and hand-claps. A record of beauty and balance, ‘Swanlights’ cements Hegarty as the transgender [a]Joanna Newsome[/a]: artsy and challenging enough for the Guardian chin-strokers, but with enough hushed melodic wallop to seduce all-comers. It’ll hit you like a punch to the ghost.
Mark Beaumont
Click here to get your copy of Antony And The Johnsons’
‘Swanlights’ from Rough Trade Shops.