If you think for even one second that recording in Sheffield means the debut album from American garage rockers Radkey is going to be laced with saucy Jarvis Cocker-style poetry or bleepy Warp Records beats, then think again. “Obviously, there’s Def Leppard,” says bassist Isaiah Radke when asked about the local influences he and his brothers-cum-bandmates Dee (guitar/vocals) and Solomon (drums) have soaked up. “They’re actually awesome,” he adds, suddenly serious.
Madrid gang The Parrots might seem like party-hard, fun-loving guys but, underneath it all, there's something darker going on. 'I'm Not Alone', the first track from their debut UK EP 'Weed For The Parrots', has them recalling "taking too many drugs in a bad moment of your life" over rumbling garage-punk, a subtle sadness chiming through frontman Diego Garcia's weaving guitar lines. "I get up, I get up, I get up/And go far away from you," he rasps, defiant and hurting.
Make no mistake: the return of Ride is 2015's most exciting comeback so far. The band, who played their first shows together in 14 years last month, inspired everyone from The Horrors to Deerhunter across their four studio albums the first time around the block, earning them a reputation as highly influential shoegaze pioneers. But which bands were the ones to influence them?
Netflix declines to release viewing figures for any of its content, but recent estimates suggest that Marvel's Daredevil, which launched on April 10, is currently its [url=http://www.nme.com/filmandtv/news/first-netflix-viewing-figures-confirm-popularity-o/377224]most popular original series[/url]. Little wonder, then, that the online TV colossus has already ordered a second season of the dark drama starring British actor Charlie Cox as Matt Murdock, a lawyer living in New York City's Hell's Kitchen district who transforms into a masked crime-fighter at night.
After the release of their surprise million-selling Number One album ‘Settle’, Surrey duo Disclosure took off into the dance-pop stratosphere, scoring hit singles, appearances at every international festival worth its salt and a 2013 Grammy nomination for Best Dance Album. Two years later, the Lawrence brothers are back with a banger. ‘Bang That’ (and it’s no misleading title) pushes their ravey sonics into colder, lustier territory here, stripping back the hyperactive hooks of fan favourites like 'White Noise' for a more minimalist, beat-driven five minutes of rave pressure.